A delightfully classic French comedy of high sophistication and light hearted wit, that in the end suffers for it. This is immensely watchable simply for the presence of Maria De Medeiros, the central two of the film are captivating. What spoils it is the stereotypical and under developed second characters and an overly wistful outlook. But I defy any man watching this film not to fall madly for Aimee and everyone will cherish the scenes between Aimee and Maurice.

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Des patients en psychiatrie décident de tourner deux scènes d’un long métrage qu’ils rêvent de faire et parlent de leur maladie, de leurs traitements… de leurs vies. Une équipe de professionnels les suit.

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Emma is bringing up her son Oscar alone. Her life is divided between her work, her voluntary work as a public writer, her lover and her son. Oscar gradually sinks into melancholy, his existential questions echoing those of his mother.

When a fortuneteller predicted Lisa's death on August 15 in midst of fear and violence, she shrugged. Yet, this morning, as the sun rises over a deserted and heat-scorched city, the police is desperate. The killer of three women will strike again by midnight. Suddenly Lisa feels less serene. Especially since she is sure, a man has broken into the empty building. August 15th will be a very hot day….

After abandoning his poetry, from 1880 until his death in 1891, Arthur Rimbaud drifts between Yemen and Abyssinia as a shopkeeper, trader, explorer, and arms trafficker.

A young boy has to deal with increasing family and school pressures as his mother's disease worsens.

The tasty story of a retired teacher who decides to make his former students pay for years of heckling and humiliation.